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All Discussions
Is it harder to relearn trumpet—or unlearn everything that once held you back?
Was Callet a visionary?
Is the “Chicago sound” timeless?
Is Balanced Embouchure just trumpet cult doctrine?
Was Reinhardt a genius?
Do Stamp’s exercises build tone—or just fatigue?
Can anyone truly replicate Bill Adam’s results?
Power players swear by Gordon. Is it power?
Is Caruso’s system about mastery?
Does a trumpet degree help your playing?
Why are we still playing the same 10 pieces from 100 years ago?
Should we admire players who impress us even if they crack notes?
Would you post a video with a major mistake?
Are modern trumpet recordings too polished to be honest?
Are we relying too much on gadgets instead of training our ears?
Is your horn choice about tone—or ego?
Is your mouthpiece solving your problem—or just masking it?
Are most trumpet teachers just repeating what they were taught?
Is orchestral trumpet playing more about disappearing—or dominating?
Does mastering bebop lines help land real gigs?
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